State Fair free essay sample

All over the passage, weaving through the group before the item warms up. With four stands and individuals pressed between each, there must be a quicker way. Chris messages, â€Å"‘A’ needs cheesecake.† Beneficial thing I’m at ‘C’ and can take some from that point. At the point when I show up, I see they’re at a quarter ‘nanas. I text Mike, â€Å"‘A’ has quarter ‘nanas.† On my way down Mara solicits, â€Å"Can you bring an instance of cheesecake when you return up?† â€Å"How’re you on ‘nanas?† She checks. â€Å"About half.† â€Å"Then you’re getting some too.† On a bustling day like Saturday, ‘B’ will experience those bananas in a matter of moments. I take the long outing however the passage, cheerful for the blasts blowing through. At the point when I get to the trailer, I thump on the entryway and Mike jumps out with a can. â€Å"Here’s ‘A’s bananas.† I let him know, â€Å"‘B’ needs a large portion of a tub and needs cheesecake. We will compose a custom article test on State Fair or on the other hand any comparative theme explicitly for you Don't WasteYour Time Recruit WRITER Just 13.90/page † â€Å"Well if Mara requests anything, you better offer it to her.† He begins tallying ‘nanas while I load the cart with cakes and ‘nanas. When he’s completed I let him know, â€Å"I’m off.† I show up at ‘B’ with a line before it. I push ‘C’s new cakes in the back cooler while I’m sitting tight for an opportunity to give Mara or Andy their stock between clients, not needing the item to get delicate. I’ll return ‘C’s cakes on my stroll down. As I convey ‘A’s bananas, I get another content, this time from Allison, â€Å"I need my cake back now.† After a little rest and a fast beverage I’m off through the group again.

Ethnographic Review Essay Example | Topics and Well Written Essays - 2000 words

Peel

Peel INTRODUCTIONMartin: Hi! Today we are in Mountain View with Peel. Thiru, hi.Thiru: Nice to see you.Martin: What do you do?Thiru: Well, I am one of the co-founders of Peel and we’ll talk about Peel itself in a second. But what do I do is I wake up and live my dream every single day. This is my dream and I say that to every employees who comes in and say hey how’s he doing, how’s your day and I’ll be like I’m living my dream.Martin: Awesome. Tell me a little bit about how youve started this company.Thiru:   Yeah,  I think there’s a commonality in a lot of people starting up companies today. While that specific idea that they work on eventually  catches on, gets traction and scales, but more importantly this is a much more human drive that you’re trying to do something different, that you’re trying to prove something either to yourself or to someone else because nobody else cares about what you’re trying to prove. But I think there is a completely different internal d rive that forces you.I used to work at Apple for ten years and I remember going to the cafeteria at 12:20 and seeing Steve Jobs come in almost every day and I was so inspired to see him. But then I asked myself: Why not me?, Why not go out and do something? And you know I got together with co-founder Bala and we tried various different ideas to be honest and this is what Finally, we both loved entertainment and we both went to the same film school and weâ€"Martin: After your time at Apple?Thiru: After my time at Apple, Bala and I both went to film school and we loved media and entertainment, and making people happy, and TV in a living room space, and mobile phones sport was just about to take off at that time. So we said well, why don’t we try to do something and build something for ourselves and I’m fortunate to see that 128 million people now continue to use that product. So that was the initial part of the journey.Martin: How much failured ideas did it take to build it?Thiru: Oh my God, oh my God, yeah We did crazy stuff, like we were going to source an mp3 alarm clock from Alibaba, and actually Alibaba is an investors right now, and sell it in the USA. I remember Bala having an idea of electric cars are going to become a huge hit, so every parking lot how do we make the electric car just go and automatically just park and charge itself. Or why do I have to get soap separately and then wash it like this. Is there a way to make it simpler.Maybe ten different ideas, but truly the time spent was probably on three ideas. We try to do something in the product placement, advertisement space, but finally we found out that it is very hard to build a consumer business, but once you’ve built it the height you get is unbelievable. Being able to touch 128 million people, there is nothing compared to that.Martin:   When you started, did you raise funding immediately, or did you first try the bootstrap to show some traction?Thiru: Fortunately, we had a friend at t hat time who’s now on the board of the company and he was about to become a venture capitalists. So fortunately, very early on we were able to raise very little money, maybe five thousand dollars, ten thousand dollars. Fortunately, we always focus Because I’m a firm believer that if you’re going to build high growth business you have to raise capital. You can bootstrap and get to a certain point. But unless you get that kind of a hockey stick growth, you’re not going to be able to build a really high growth start up. So fortunately, we’ve been able to raise money from day one actually.Martin: Great.BUSINESS MODELMartin: Let’s talk about the business model of your company.Thiru: Sure.Martin: Can you please elaborate on your customer segments?Thiru: When we talk about customer, the first set of folks that are super crucial to the ecosystem is our community of users. They use our apps, day in, day out to control everything in their  living room and they find the TV shows a nd tune into the TV show. For example, there is a very famous TV show called Conan OBrien who gets about 800,000 viewers every night and we can increase his rating by 15% with a scale that we have. So we go to the TV studios and we tell them, Why do you put out an Ad on a billboard or on freeway saying new show premiering this fall or this summer. Who cares, because its not being targeted it’s not measurable, it’s not accountable”. So we tell them, “You advertised on the remote control platform on smartphones, we will actually be able to report back how many people tuned into the show and stayed for five minutes”. In fact, recently Forbes magazine published an article where we actually predicted how many of the TV shows, how  many of the new fall TV shows that just recently premiered will stay on here or not depending on the pilot. You know, fifteen minutes into the show, how many people are continuing to stay with the show or switching the channel. That is a huge indicati on of whether that shows will be successful or not. So the community of users is an important part and we distribute our application through the OEM such as Samsung, HTC, LG and some of these folks. But ultimately, our customers the folks that we actually offer our advertisement business model  are the agencies and the studios that promote their TV shows. They are our customers and that’s our primary business model at this pointing time.Martin: The Interesting thing is, currently if you say the community which is basically the mobile phone users mainlyâ€"Thiru: YesMartin: â€"and then you have the advertisers. Totally understood. And then you have maybe the content producers. Because I’ve  heard from another start up they are that able to also predict whether a movies is going to come hit or not. Because movie production is super expensive and maybe the same has been true for this (Peel) where you are recommending TV shows.Thiru: Absolutely, we actually waited for an entire yea r, because we predicted last year, we did not actually make it public and we looked at how many of those TV shows actually stayed on air  and not, and how accurate we were. And this year our model is so well developed and our data science reason behind it has gotten so high fidelity that we went out and actually said that certain shows will actually stay on air, or not.Absolutely I think, I think a lot of focus is going to start becoming on the pilot. And Madison Square Garden runs the big process called Upfront where a lot of dollars get committed and I think they’re going to start demanding to look at pilot and how do people get into the pilot into the first 15 minutes or so. And I understand what you’re talking about the movie as well.Martin:   Are you currently only targeting the normal TV set or also other devices where you can consume content?Thiru: Great question. So, when we talk about normal TV set it’s the traditional TV system that you see TV and setup box on the br oadcast. So, we actually don’t care whether people end up watching TV using their live TV or a broadcast or they end up watching Netflix or streaming. We are actually all about pointing you to your right TV show, regardless of what kind of TV you have. You might have a chrome cast in which case we’ll switch and get you to your TV show. Our focus is enabling you to discover the TV show and get to it; so, discovery and control.A lot of our current success, how we actually enable the broken broadcast TV system into enabling a really awesome experience to be able to get to that TV show. We’re going to take that same experience and get into that streaming  experience as well. And when you talk about TV, we’re also thinking about not just What if we actually expand beyond controlling these devices,What if we control these lights and thermostats and locks. So we think we have a natural advantage of being in the couch and having access to these many users and can be actually now tak e advantage of that and control all the appliances and the devices in the home.Martin: Because from my perspective, you could go two basic ways. Either you go and stay in the home and extend to further application. Or second option is Okay, I will focus on the content stuff and then I go to every trial.Thiru:  On the train or on the bus. I think we are more home driven company I would say.Martin: Okay, I think one of the core things from my perception is the recommendation engine. Can you elaborate on that and what type of data are you using?Thiru: One thing that we found out and I can clarify this with a lot of other thought leaders in the space, whether its is folks from Amazon or from Netflix. Even though search is now possible in the TV space when you come home and if you thought of an use case where: Wouldn’t it be cool if he’s just searching 49ers game or a Manchester United game, People are not searching. People do not like to use search when it comes to their living roo m. And there is some sort of psychological reason behind it.Because TV is such a laid back experience and for some reason consumers tend to lower their IQ to such a low level because they are unwinding and and they’re relaxing, so they’re not searching it. Essentially then the only other option available to actually let them discover is some sort of personalization or recommendation or artificial intelligence. And that is a hard nut to crack in the media space, because it is really hard to predict on a Saturday you’ll be in a certain mood, you’re ready to engage on a long commitment of a movie or on a  Monday night you’ll actually looking for that football game or on the normal weekday you’re catching up on your shows that you want to catch up, and its quite hard.So we use your past viewing history, social graph, but also some elements of human curation. Human curation is actually quite effective. We use social twitter signals and other signals and create this. We have a feedback system as to whether actually people tune into the show that we recommend, but also when we present certain option and they do not tune into. We actually look into that, when we present today seven to eight options and the consumer did not choose any of that. Well, in which case we need to go back and actually fine tune the algorithm.Martin: So let’s talk about advertising.Thiru: Sure.Martin: What types of companies are advertising? Because if you look at only mobile devices, you would rather assume that the major share really would be TV shows just promoting a ‘hey please watch me’.Thiru: That’s a good question. That is the sort of endemic bread and butter of our business. Because it such a fit between the TV shows wanting to promote and we have a captive audience of people sitting in front of TV and saying I’m here ready to be sold on a product and the product itself is a TV show. Its just perfect, and consumers actually do not mind it and they actually don’t even feel like its an advertisement even though we make it explicit. But brands are also extremely  impressed and interest in working with us.The way that we actually bring into brands is we actually Say for example Coors Lite actually worked with us in promoting the Lakers game or the basket ball game, because they actually sponsored the actual game. So if we get the viewers to their game, there’s more Coors obviously on TV and there’s more sponsorship but they are actually interested in working with both the first screen and the second screen, and driving viewership. So we would say: Tonights basket ball game is brought to you by Coors Light. Tap Here to change the channel and  go there. But we are trying to really crack the brands. And the first wave of our progress  has been around the TV shows and tuning in. There, I think, we have a really unique offering and nobody else can offer that. And for brands we are just starting to scale up that business.Martin:   And are you on ly focusing on performance advertising or is it more also brand advertising?Thiru:  Great  question. In fact actually we are the only ones who can actually provide brand performance right now. But unfortunately,  as you may or may not know about the ad industry is that they’re not completely equiped to do a hundred percent performance oriented spend. So these are executed as campaigns. So you might start of week ahead and try to tell the consumer theres a new TV show coming out and educate about who’s acting on it, and provide them with a sneak peak and things like that. but maybe a day before the show you remind them and set up a program (the DVR set up a reminder), or five minutes before the show you tell them Hey, the show on, you want to tune in. So it is a combination of that. But I think the world we go more and more towards automatically purchasing user advertisements, but also going more and more towards data driven performance in living room which was never possible bef ore.Martin: Did you get an auction advertising platforms like Facebook did?Thiru: Great Question. So I don’t think we’re there yet from both from the scale of how big the purchase part of it, but I think that would be the ultimate vision to have a lot of people compete to get into certain night. TV has a certain element to it: there are only so many shows in a night. But that’s the ultimate goal if we can get there. There still some work going on, but right now we don’t do auction we are having a direct sale method right now.Martin: Ok, cool. When did you stop the advertising? Because I would assume that it started like maybe after two years or x-million amount of users.Thiru: I think in the USA, theres sort of a thumb rule that you want to wait till at least 10 million monthly active users before you start cracking it. The advertising business has been less than 11-12 months old right now. But we’re crushing it in terms of quarter-over-quarter growth. In terms of revenues it is phenomenal. And especially the fit is very good and people sort of coming back and buying more is a phenomenon that were actually continuing seeing.Martin:  What I really like that it seems to be very synergistic.Thiru: There thats right word, yes.Martin: Cool. Let say with advertising.For example, because the user, you can identify them easily based on their device ID or something like this. The second thing is you know exactly when he’s switching the channel. If then on the other hand have all the TV shows and advertisements spots and then you match them over time; and then you can also do some pattern analysis and say: This advertisement at this time with these conditions is not working And then even you could broaden the advertisement market place. Are you currently working on something like this?Thiru: Yep, so that is the excitement behind the company. I have to approach this from both sides, ultimately it has to produce the value for the consumer and it has to use th eir viewing behavior in the right way. But I think this is what you just said has never been done before. And there’s a lot of excitement around the company But im sorry it’s a great idea.Martin: Cool. You currently have 128 million users. Are they only in the US or?Thiru: We’re global. We are one of the very few  mobile first, global first companies. Our website product is not on the web. Our product is a one hundred percent mobile product. We are in a hundred and seven countries. We’re in Germany, but a third of the user bases in the US a third is in  Asia,   dominated by China and the rest of it is in the rest of the World Europe and South America and other places.Martin: Cool, great.ADVICE TO ENTREPRENEURS FROM THIRU In Mountain View (CA), we meet co-founder and CEO of Peel, Thiru Arunachalam. Thiru talks about his story how he came up with the idea and founded Peel, how the current business model works, as well as he provides some advice for young entrepreneurs.INTRODUCTIONMartin: Hi! Today we are in Mountain View with Peel. Thiru, hi.Thiru: Nice to see you.Martin: What do you do?Thiru: Well, I am one of the co-founders of Peel and we’ll talk about Peel itself in a second. But what do I do is I wake up and live my dream every single day. This is my dream and I say that to every employees who comes in and say hey how’s he doing, how’s your day and I’ll be like I’m living my dream.Martin: Awesome. Tell me a little bit about how youve started this company.Thiru:   Yeah,  I think there’s a commonality in a lot of people starting up companies today. While that specific idea that they work on eventually  catches on, gets traction and scales, but more importantly this is a much more human drive that you’re trying to do something different, that you’re trying to prove something either to yourself or to someone else because nobody else cares about what you’re trying to prove. But I think there is a completely different internal drive that forces you.I used to work at Apple for ten years and I remember going to the cafeteria at 12:20 and seeing Steve Jobs come in almost every day and I was so inspired to see him. But then I asked myself: Why not me?, Why not go out and do something? And you know I got together with co-founder Bala and we tried various different ideas to be honest and this is what Finally, we both loved entertainment and we both went to the same film school and weâ€"Martin: After your time at Apple?Thiru: After my time at Apple, Bala and I both went to film school and we loved media and entertainment, and making people happy, and TV in a living room space, and mobile phones sport was just about to take off at that time. So we said well, why don’ t we try to do something and build something for ourselves and I’m fortunate to see that 128 million people now continue to use that product. So that was the initial part of the journey.Martin: How much failured ideas did it take to build it?Thiru: Oh my God, oh my God, yeah We did crazy stuff, like we were going to source an mp3 alarm clock from Alibaba, and actually Alibaba is an investors right now, and sell it in the USA. I remember Bala having an idea of electric cars are going to become a huge hit, so every parking lot how do we make the electric car just go and automatically just park and charge itself. Or why do I have to get soap separately and then wash it like this. Is there a way to make it simpler.Maybe ten different ideas, but truly the time spent was probably on three ideas. We try to do something in the product placement, advertisement space, but finally we found out that it is very hard to build a consumer business, but once you’ve built it the height you get i s unbelievable. Being able to touch 128 million people, there is nothing compared to that.Martin:   When you started, did you raise funding immediately, or did you first try the bootstrap to show some traction?Thiru: Fortunately, we had a friend at that time who’s now on the board of the company and he was about to become a venture capitalists. So fortunately, very early on we were able to raise very little money, maybe five thousand dollars, ten thousand dollars. Fortunately, we always focus Because I’m a firm believer that if you’re going to build high growth business you have to raise capital. You can bootstrap and get to a certain point. But unless you get that kind of a hockey stick growth, you’re not going to be able to build a really high growth start up. So fortunately, we’ve been able to raise money from day one actually.Martin: Great.BUSINESS MODELMartin: Let’s talk about the business model of your company.Thiru: Sure.Martin: Can you please elaborate on your cu stomer segments?Thiru: When we talk about customer, the first set of folks that are super crucial to the ecosystem is our community of users. They use our apps, day in, day out to control everything in their  living room and they find the TV shows and tune into the TV show. For example, there is a very famous TV show called Conan OBrien who gets about 800,000 viewers every night and we can increase his rating by 15% with a scale that we have. So we go to the TV studios and we tell them, Why do you put out an Ad on a billboard or on freeway saying new show premiering this fall or this summer. Who cares, because its not being targeted it’s not measurable, it’s not accountable”. So we tell them, “You advertised on the remote control platform on smartphones, we will actually be able to report back how many people tuned into the show and stayed for five minutes”. In fact, recently Forbes magazine published an article where we actually predicted how many of the TV shows, how  m any of the new fall TV shows that just recently premiered will stay on here or not depending on the pilot. You know, fifteen minutes into the show, how many people are continuing to stay with the show or switching the channel. That is a huge indication of whether that shows will be successful or not. So the community of users is an important part and we distribute our application through the OEM such as Samsung, HTC, LG and some of these folks. But ultimately, our customers the folks that we actually offer our advertisement business model  are the agencies and the studios that promote their TV shows. They are our customers and that’s our primary business model at this pointing time.Martin: The Interesting thing is, currently if you say the community which is basically the mobile phone users mainlyâ€"Thiru: YesMartin: â€"and then you have the advertisers. Totally understood. And then you have maybe the content producers. Because I’ve  heard from another start up they are that a ble to also predict whether a movies is going to come hit or not. Because movie production is super expensive and maybe the same has been true for this (Peel) where you are recommending TV shows.Thiru: Absolutely, we actually waited for an entire year, because we predicted last year, we did not actually make it public and we looked at how many of those TV shows actually stayed on air  and not, and how accurate we were. And this year our model is so well developed and our data science reason behind it has gotten so high fidelity that we went out and actually said that certain shows will actually stay on air, or not.Absolutely I think, I think a lot of focus is going to start becoming on the pilot. And Madison Square Garden runs the big process called Upfront where a lot of dollars get committed and I think they’re going to start demanding to look at pilot and how do people get into the pilot into the first 15 minutes or so. And I understand what you’re talking about the movie as well.Martin:   Are you currently only targeting the normal TV set or also other devices where you can consume content?Thiru: Great question. So, when we talk about normal TV set it’s the traditional TV system that you see TV and setup box on the broadcast. So, we actually don’t care whether people end up watching TV using their live TV or a broadcast or they end up watching Netflix or streaming. We are actually all about pointing you to your right TV show, regardless of what kind of TV you have. You might have a chrome cast in which case we’ll switch and get you to your TV show. Our focus is enabling you to discover the TV show and get to it; so, discovery and control.A lot of our current success, how we actually enable the broken broadcast TV system into enabling a really awesome experience to be able to get to that TV show. We’re going to take that same experience and get into that streaming  experience as well. And when you talk about TV, we’re also thinking about not j ust What if we actually expand beyond controlling these devices,What if we control these lights and thermostats and locks. So we think we have a natural advantage of being in the couch and having access to these many users and can be actually now take advantage of that and control all the appliances and the devices in the home.Martin: Because from my perspective, you could go two basic ways. Either you go and stay in the home and extend to further application. Or second option is Okay, I will focus on the content stuff and then I go to every trial.Thiru:  On the train or on the bus. I think we are more home driven company I would say.Martin: Okay, I think one of the core things from my perception is the recommendation engine. Can you elaborate on that and what type of data are you using?Thiru: One thing that we found out and I can clarify this with a lot of other thought leaders in the space, whether its is folks from Amazon or from Netflix. Even though search is now possible in the TV space when you come home and if you thought of an use case where: Wouldn’t it be cool if he’s just searching 49ers game or a Manchester United game, People are not searching. People do not like to use search when it comes to their living room. And there is some sort of psychological reason behind it.Because TV is such a laid back experience and for some reason consumers tend to lower their IQ to such a low level because they are unwinding and and they’re relaxing, so they’re not searching it. Essentially then the only other option available to actually let them discover is some sort of personalization or recommendation or artificial intelligence. And that is a hard nut to crack in the media space, because it is really hard to predict on a Saturday you’ll be in a certain mood, you’re ready to engage on a long commitment of a movie or on a  Monday night you’ll actually looking for that football game or on the normal weekday you’re catching up on your shows that yo u want to catch up, and its quite hard.So we use your past viewing history, social graph, but also some elements of human curation. Human curation is actually quite effective. We use social twitter signals and other signals and create this. We have a feedback system as to whether actually people tune into the show that we recommend, but also when we present certain option and they do not tune into. We actually look into that, when we present today seven to eight options and the consumer did not choose any of that. Well, in which case we need to go back and actually fine tune the algorithm.Martin: So let’s talk about advertising.Thiru: Sure.Martin: What types of companies are advertising? Because if you look at only mobile devices, you would rather assume that the major share really would be TV shows just promoting a ‘hey please watch me’.Thiru: That’s a good question. That is the sort of endemic bread and butter of our business. Because it such a fit between the TV shows wan ting to promote and we have a captive audience of people sitting in front of TV and saying I’m here ready to be sold on a product and the product itself is a TV show. Its just perfect, and consumers actually do not mind it and they actually don’t even feel like its an advertisement even though we make it explicit. But brands are also extremely  impressed and interest in working with us.The way that we actually bring into brands is we actually Say for example Coors Lite actually worked with us in promoting the Lakers game or the basket ball game, because they actually sponsored the actual game. So if we get the viewers to their game, there’s more Coors obviously on TV and there’s more sponsorship but they are actually interested in working with both the first screen and the second screen, and driving viewership. So we would say: Tonights basket ball game is brought to you by Coors Light. Tap Here to change the channel and  go there. But we are trying to really crack the brand s. And the first wave of our progress  has been around the TV shows and tuning in. There, I think, we have a really unique offering and nobody else can offer that. And for brands we are just starting to scale up that business.Martin:   And are you only focusing on performance advertising or is it more also brand advertising?Thiru:  Great  question. In fact actually we are the only ones who can actually provide brand performance right now. But unfortunately,  as you may or may not know about the ad industry is that they’re not completely equiped to do a hundred percent performance oriented spend. So these are executed as campaigns. So you might start of week ahead and try to tell the consumer theres a new TV show coming out and educate about who’s acting on it, and provide them with a sneak peak and things like that. but maybe a day before the show you remind them and set up a program (the DVR set up a reminder), or five minutes before the show you tell them Hey, the show on, you want to tune in. So it is a combination of that. But I think the world we go more and more towards automatically purchasing user advertisements, but also going more and more towards data driven performance in living room which was never possible before.Martin: Did you get an auction advertising platforms like Facebook did?Thiru: Great Question. So I don’t think we’re there yet from both from the scale of how big the purchase part of it, but I think that would be the ultimate vision to have a lot of people compete to get into certain night. TV has a certain element to it: there are only so many shows in a night. But that’s the ultimate goal if we can get there. There still some work going on, but right now we don’t do auction we are having a direct sale method right now.Martin: Ok, cool. When did you stop the advertising? Because I would assume that it started like maybe after two years or x-million amount of users.Thiru: I think in the USA, theres sort of a thumb rule that you want to wait till at least 10 million monthly active users before you start cracking it. The advertising business has been less than 11-12 months old right now. But we’re crushing it in terms of quarter-over-quarter growth. In terms of revenues it is phenomenal. And especially the fit is very good and people sort of coming back and buying more is a phenomenon that were actually continuing seeing.Martin:  What I really like that it seems to be very synergistic.Thiru: There thats right word, yes.Martin: Cool. Let say with advertising.For example, because the user, you can identify them easily based on their device ID or something like this. The second thing is you know exactly when he’s switching the channel. If then on the other hand have all the TV shows and advertisements spots and then you match them over time; and then you can also do some pattern analysis and say: This advertisement at this time with these conditions is not working And then even you could broaden the ad vertisement market place. Are you currently working on something like this?Thiru: Yep, so that is the excitement behind the company. I have to approach this from both sides, ultimately it has to produce the value for the consumer and it has to use their viewing behavior in the right way. But I think this is what you just said has never been done before. And there’s a lot of excitement around the company But im sorry it’s a great idea.Martin: Cool. You currently have 128 million users. Are they only in the US or?Thiru: We’re global. We are one of the very few  mobile first, global first companies. Our website product is not on the web. Our product is a one hundred percent mobile product. We are in a hundred and seven countries. We’re in Germany, but a third of the user bases in the US a third is in  Asia,   dominated by China and the rest of it is in the rest of the World Europe and South America and other places.Martin: Cool, great.ADVICE TO ENTREPRENEURS FROM THIRUMartin: Imagine a younger brother comes to you and say Hey, Thiru, I got a business idea, but Iim not sure whether I should pursue it. Can you give me any advice about starting a company?Thiru:   You know the first thing I tell people is like, Can you quit your job? And they say Wait, I don’t know. I don’t know if my idea is good enough to quit my job. Well, then your idea is not good enough.You have to able to tie your hunger or your survival to your success. I always tell this analogy that if you go to Circque So Soleli or one of those circus type shows,  you see those people who are actually coming down on a rope and then jumping onto the next rope. And if you notice, they’ll always tie their rope in such a way that you cannot hold them both together. So you have to let go one and then jump onto the other. So it’s really-really important that you actually give a hundred percent of your effort into whatever you’re putting in and think that this is the only option out. Because en trepreneurship is so hard that if you have a safety belt you’re going to push it like very quickly, like three months, six months.I actually started this interview by saying I live my dream. I’m saying that to my employees every single day because the process of dreaming is a very positive thing. You sort of like: Wouldn’t it be cool if did that? But the act of living it s extremely painful, extremely excruciating, because to make your dream come true you have to work your ass off like every single day. That’s why I say to people: I live my dream. There’s a positive connotation to it, but there’s also the fact that you have to work really-really hard to make it happen. So I think my only advice is like; If you going to do it give everything, but at the end of the day nothing is guaranteed. Success is not guaranteed. Destination is not guaranteed as much as cliché you got to just wake up and be happy about coming and touching these many people; whatever drives your passi on.Martin: And this number of people is what touching you right now?Thiru: Yeah,  that may be what energize you. Some people are energized by the fact that you’re making money or building a software. Some people believe is that this is the technology that they solve. Whatever motivates you, you have to give a hundred percent of that. I can sort of talk about fundraising and things like but the core is that you got to chase what drives you and chase the dream with everything that you have.Martin: Thiru, thank you very much.Thiru: You kept it very casual and it was fun.Martin: Awesome.Thiru: Awesome, thank you very much.Martin: Thank you and maybe next time you are thinking about: What should I watch? Just download   Peel   app and have a look at what it is recommending you. Awesome.Thiru: Awesome.Martin: See you.Thiru: Thank you very much.

How to Use the Italian Verb Piacere

The verb piacere, which translates to the English to like, is one of the most confounding to English-speaking learners of Italian. Yet, it is also an immensely necessary verb, so the bullet must be bitten. It takes merely a reorganization in the order of thinking. Who is Liking Who Think of piacere as meaning something gives pleasure to someone, or, something is pleasing to someone (piacere is intransitive and always conjugated with the auxiliary essere). When you conjugate it in a sentence, you reverse who is doing the liking and what is liked or doing the pleasing: the subject pronoun becomes an indirect object pronoun and the verb is conjugated according to what is liked rather than who, in English, is doing the liking. I like the house.The house is pleasing to me (or, the house to me is pleasing).A me piace la casa, or, la casa mi piace (or, mi piace la casa). For a plural object: I like the houses.The houses are pleasing to me (or, the houses to me are pleasing).A me piacciono le case, or, le case mi piacciono (or, mi piacciono le case). The thing or things that give the pleasure, that are liked or pleasing, are what determine the person or number according to which the verb is conjugated: They are the actors, the subjects. Other than when you are talking about people (I like you all, or they like us), generally the verb is conjugated in the third person singular (it) for an object that is singular or the third person plural (them) for an object that is plural. Infinitives—to read, to eat, to walk—are considered singular, so if what is liked is an activity, you conjugate the verb in the third person singular: Mi piace leggere; a Paolo piace camminare. Remember that you have to put the preposition a before the person to whom something is pleasing, or you need to use your indirect object pronouns. Passive, Reflexive, Reciprocal Piacere can also be used in the reflexive (mi piaccio, I like myself) and in the reciprocal (Luca e Franco si piacciono molto; Luca and Franco like each other). In past compound tenses, context, pronouns, and the endings of the past participle, which is piaciuto (irregular), are what allow you to detect which is which (remember that with verbs with essere the past participle must agree with the subject): Mi sono piaciuta molto. I liked myself a lot .Non mi sono piaciuti. I did not like them.Si sono piaciute. They liked each other. Other than the oddity of its structure, the verb follows an irregular pattern. In the table for the present tense we provide a middle step to reach the proper English usage for you to get used to the reversal of subject and object. Indicativo Presente: Present Indicative An irregular presente. Io piaccio Io piaccio a Paolo. I am likable to Paolo. Paolo likes me. Tu piaci Tu non mi piaci. You are not likable to me. I don't like you. Lui, lei, Lei piace 1. Paolo piace a Giulia. 2. A Paolo piace leggere. 3. Mi piace la pasta. 1. Paolo is likable to Giulia. 2. Reading is likable to Paolo. 3. Pasta is likable to me. 1. Giulia likes Paolo. 2. Paolo likes to read. 3. I like pasta. Noi piacciamo Noi italiani piacciamo. We Italians are likable. Italians are liked. Voi piacete Voi piacete molto ai miei genitori. You are likable to my parents. My parents like you. Loro, Loro piacciono 1. Carlo e Giulia si piacciono. 2. Mi piacciono gli spaghetti. 1. Carlo and Giulia are likable to each other. 2. Spaghetti are likable to me. 1. Carlo and Giulia like each other. 2. I like spaghetti. Indicativo Imperfetto: Imperfect Indicative A regular imperfetto. Io piacevo Da ragazzi io piacevo a Paolo. As kids, Paolo liked me. Tu piacevi Prima non mi piacevi; adesso sà ¬. Before, I didn't like you; now I do. Lui, lei, Lei piaceva 1. Una volta Paolo piaceva a Giulia. 2. Da bambino a Paolo piaceva leggere. 3. Da bambina mi piaceva la pasta solo da mia nonna. 1. Once, Giulia liked Paolo. 2. As a child, Paolo liked to read. 3. As a child, I liked pasta only at my nonna's. Noi piacevamo Nel tardo 1800 noi emigrati italiani non piacevamo molto. In the late 1800s we Italian immigrants were not liked much. Voi piacevate Una volta piacevate molto ai miei genitori; adesso no. Once, my parents liked you a lot; now, no longer. Loro, Loro piacevano 1. Quest'estate Carlo e Giulia si piacevano, ma adesso non pià ¹. 2. Mi piacevano molto gli spaghetti dalla Maria. 1. This summer Carlo and Giulia liked each other, but no longer. 2. I used to like the spaghetti at Maria's. Indicativo Passato Prossimo: Present Perfect Indicative The passato prossimo, made of the present of the auxiliary essere and the participio passato, piaciuto. Because the past participle is irregular, all tenses made with it are irregular. Io sono piaciuto/a Io sono piaciuta subito a Paolo. Paolo liked me immediately. Tu sei piaciuto/a Tu non mi sei piaciuto subito. I didn't like you immediately. Lui, lei, Lei à ¨ piaciuto/a 1. Paolo à ¨ piaciuto a Giulia. 2. A Paolo à ¨ sempre piaciuto leggere. 3. Mi à ¨ sempre piaciuta la pasta. 1. Giulia liked Paolo. 2. Paolo has always liked reading. 3. I have always liked pasta. Noi siamo piaciuti/e Noi italiani siamo sempre piaciuti nel mondo. We Italians have always been liked in the world. Voi siete piaciuti/e Voi siete piaciuti molto ai miei genitori ieri. My parents liked you yesterday (when they met you). Loro, Loro sono piaciuti/e 1. Carlo e Giulia si sono piaciuti subito. 2. Mi sono sempre piaciuti gli spaghetti. 1. Carlo and Giulia liked each other immediately. 2. I have always liked spaghetti. Indicativo Passato Remoto: Remote Past Indicative An irregular passato remoto. Io piacqui Io piacqui subito a Paolo quando ci conoscemmo. Paolo liked me immediately when we met. Tu piacesti Tu non mi piacesti subito. I didn't like you immediately. Lui, lei, Lei piacque 1. Paolo piacque a Giulia quando si conobbero. 2. Tutta la vita, a Paolo piacque leggere. 3. Mi piacque molto la pasta a casa tua quella volta. 1. Giulia liked Paolo as soon as they met. 2. Paolo liked to read all his life. 3. I liked the pasta that time at your house, very much. Noi piacemmo Noi italiani non piacemmo molto in China dopo quella partita. We Italians were not liked much in China after that game. Voi piaceste Voi piaceste subito ai miei genitori. My parents liked you immediately. Loro, Loro piacquero 1. Carlo e Giulia si piacquero subito. 2. Mi piacquero molto gli spaghetti che preparasti per il mio compleanno. 1. Carlo and Giulia liked each other immediately. 2. I liked the spaghetti you made for my birthday very much. Indicativo Trapassato Prossimo: Past Perfect Indicative An irregular trapassato prossimo, made of the imperfetto of the auxiliary and the past participle. Io ero piaciuto/a All'inizio ero piaciuta a Paolo, ma poi ha cambiato idea. At the beginning Paolo had liked me, but then he changed his mind. Tu eri piaciuto/a Tu non mi eri piaciuto finchà © non ti ho conosciuto meglio. I hadn't liked you until I got to know you better. Lui, lei, Lei era piaciuto/a 1. Paolo era piaciuto a Giulia dall'inizio. 2. A Paolo era sempre piaciuto leggere. Mi era piaciuta molto la pasta, ma non avevo pià ¹ fame. 1. Giulia had liked Paolo from the beginning. 2. Paolo had always liked to read. 3. I had liked the pasta a lot but I was no longer hungry. Noi eravamo piaciuti/e Noi italiani eravamo piaciuti subito! We Italians were liked immediately. Voi eravate piaciuti/e Voi eravate piaciuti ai miei genitori finchà © avete aperto la bocca. My parents had liked you up until you opened your mouths. Loro, Loro erano piaciuti/e 1. Carlo e Giulia si erano piaciuti alla festa. 2. Mi erano piaciuti moltissimo i tuoi spaghetti, ma ero piena! 1. Carlo and Giulia had liked each other at the party. 2. I liked your spaghetti a lot, but I was full! Indicativo Trapassato Remoto: Preterite Perfect Indicative An irregular trapassato remoto, made of the passato remoto of the auxiliary and the past participle. The remoteness of this storytelling tense makes it a bit awkward with piacere. Io fui piaciuto/piaciuta Appena che gli fui piaciuta, Paolo mi volle sposare. As soon as he had liked me, Paolo wanted to marry me. Tu fosti piaciuto/a Dopo che non mi fosti piaciuto alla festa, decisi di non vederti pià ¹. After I hadn't liked you at the party, I decided to not see you again. Lui, lei, Lei fu piaciuto/a 1. Dopo che Paolo fu piaciuto a Giulia, subito vollero fidanzarsi. 2. Appena che gli fu piaciuto leggere da piccino, Paolo non smise pià ¹. 3. Appena che mi fu piaciuta la pasta ne feci una scorpacciata. 1. After Giulia had liked Paolo, they immediately wanted to get engaged. 2. As soon as Paolo liked reading when he was little, he never stopped again. 3. As soon as I liked the pasta, I ate a mountain of it. Noi fummo piaciuti/e Appena che ci conobbero a noi italiani fummo subito piaciuti. As soon as they got to know us, we Italians were liked. Voi foste piaciuti/e Dopo che vi conobbero e gli foste piaciuti, vi invitarono a entrare. After they met you and they liked you, they invited you to enter. Loro, Loro furono piaciuti/e 1. Dopo che Carlo e Giulia si furono piaciuti alla festa, li fecero sposare. 2. Appena che mi furono piaciuti gli spaghetti scoprii di avere fame e li mangiai tutti. 1. After Carlo and Giulia had liked each other, they made them marry. 2. As soon as I had liked the spaghetti I discovered that I was hungry and I ate all of them. Indicativo Futuro Semplice: Simple Future Indicative Io piacerà ² Piacerà ² a Paolo? Will Paolo like me? Tu piacerai Quando ti conoscerà ² mi piacerai, credo. When I meet you I will like you, I think. Lui, lei, Lei piacerà   1. Paolo piacerà   a Giulia, senz'altro. 2. A Paolo piacerà   leggere questo libro, sono sicura. 3. Non so se mi piacerà   la pasta con il tartufo. 1. Giulia will like Paolo, for sure. 2. Paolo will like to read this book, I am sure. 3. I don't know if I will like pasta with truffles. Noi piaceremo Noi italiani piaceremo a tutti! We Italians will be liked by everyone! Voi piacerete Non so se piacerete ai miei genitori. I don't know if my parents will like you. Loro, Loro piaceranno 1. Si piaceranno Carlo e Giulia? 2.Credo che mi piaceranno moltissimo gli spaghetti che hai fatto. 1. Will Carlo and Giulia like each other? 2. I think I will very much like the spaghetti you made. Indicativo Futuro Anteriore: Future Perfect Indicative The futuro anteriore, made of the simple future of the auxiliary and the past participle. Another awkward tense for piacere, except as speculation. Io sarà ² piaciuto/a Se gli sarà ² piaciuta, forse Paolo mi telefonerà  . Vedremo! If he will have liked me, maybe Paolo will call me. We'll see! Tu sarai piaciuto/a Sicuramente gli sarai piaciuta! Surely he will have liked you! Lui, lei, Lei sarà   piaciuto/a 1. Chissà   se sarà   piaciuto Paolo a Giulia! 2. Domani sapremo se mi sarà   piaciuta la tua pasta. 1. Who knows if Giulia liked Paolo! 2. Tomorrow we will know if I will have liked your pasta. Noi saremo piaciuti/e Se saremo piaciuti ce lo faranno sapere! If they will like us, they will let us know! Voi sarete piaciuti/e I miei genitori me lo diranno se gli sarete piaciuti. My parents will tell me if they will have liked you. Loro, Loro saranno piaciuti/e 1. Che ne pensi, Carlo e Giulia si saranno piaciuti? 2. Gli saranno piaciuti i miei spaghetti? 1. What do you think, did Carlo and Giulia like each other? 2. Do you think he liked/ will have liked my spaghetti? Congiuntivo Presente: Present Subjunctive An irregular congiuntivo presente. Che io piaccia Cristina pensa che io piaccia a Paolo. Cristina thinks that Paolo likes me. Che tu piaccia Temo che tu non mi piaccia. I fear that I don't like you. Che lui, lei, Lei piaccia 1. Non credo che Paolo piaccia a Giulia. 2. Penso che a Paolo piaccia tanto leggere. 3. Benchà © mi piaccia tanto la pasta, mi fa ingrassare. 1. I don't think that Giulia likes Paolo. 2. I think that Paolo likes to read. 3. Though I like pasta a lot, it makes me gain weight. Che noi piacciamo Credo sia evidente che noi italiani piacciamo dappertutto. I think it's evident that we Italians are liked everywhere. Che voi piacciate Non penso che piacciate tanto ai miei genitori. I don't think my parents like you a lot. Che loro, Loro piacciano Penso che Carlo e Giulia si piacciano. Dubito che non mi piacciano i tuoi spaghetti fatti a mano. 1. I think that Carlo and Giulia like each other. 2. I doubt that I won't like you handmade spaghetti. Congiuntivo Passato: Present Perfect Subjunctive An irregular congiuntivo passato. Made of the present subjunctive of the auxiliary and the past participle. Che io sia piaciuto/a Credo che sia piaciuta a Paolo. I think Paolo liked me. Che tu sia piaciuto/a Temo che tu non mi sia piaciuto. I fear that I did not like you. Che lui, lei, Lei sia piaciuto/a 1. Non credo che Paolo sia piaciuto a Giulia. 2. Temo che la pasta non mi sia piaciuta oggi. 1. I don't think Giulia liked Paolo. 2. I fear that I didn't like the pasta today. Che noi siamo piaciuti/e Allo spettacolo, noi italiani siamo piaciuti molto. We Italians were liked very much at the show. Che voi siate piaciuti/e Non credo che siate piaciuti ai miei genitori. I don't think my parents liked you much Che loro, Loro siano piaciuti/e 1. Penso che Carlo e Giulia si siano piaciuti. 2. Purtroppo non credo mi siano piaciuti gli spaghetti al ristorante oggi. 1. I think that Carlo and Giulia liked each other. 2. Unfortunately, I don't think I liked the spaghetti at the restaurant. Congiuntivo Imperfetto: Imperfect Subjunctive A regular congiuntivo imperfetto. Che io piacessi Cristina pensava che io piacessi a Paolo. Cristina thought Paolo liked me. Che tu piacessi Pensavo che tu mi piacessi. I thought I liked you. Che lui, lei, Lei piacesse 1. Pensavo che Paolo piacesse a Giulia. 2. Pensavo che a Paolo piacesse leggere. 3. Speravo che mi piacesse la pasta oggi. 1. I thought that Giulia liked Paolo. 2. I thought that Paolo liked to read. 3. I hoped that I would like the pasta today. Che noi piacessimo Era evidente che piacessimo a tutti. It was evident that everyone liked us. Che voi piaceste Pensavo che voi non piaceste ai miei. I thought my parents didn't like you. Che loro, Loro piacessero 1. Temevo che Giulia e Carlo non si piacessero. 2. Pensavi che non mi piacessero i tuoi spaghetti? 1. I feared that Carlo and Giulia wouldn't like each other. 2. Did you think I would not like your spaghetti? Congiuntivo Trapassato: Past Perfect Subjunctive An irregular congiuntivo trapassato. Made of the imperfetto congiuntivo of the auxiliary and the past participle. Che io fossi piaciuto/a Vorrei che fossi piaciuta a Paolo. I wish Paolo had liked me. Che tu fossi piaciuto/a Vorrei che tu mi fossi piaciuto. I wish I had liked you. Che lui, lei, Lei fosse piaciuto/a 1. Vorrei che Paolo fosse piaciuto a Giulia. 2. Vorrei che mi fosse piaciuta la pasta oggi. 1. I wish that Giulia had liked Paolo. 2. I wish that I had liked the pasta today. Che noi fossimo piaciuti/e Nonostante fossimo piaciuti a tutti, non ci hanno invitati a restare. Though everybody liked us, they didn't invite us to stay. Che voi foste piaciuti/e Speravo che foste piaciuti ai miei. I had hoped that my parents had liked you. Che loro, Loro fossero piaciuti/e 1. Speravo che Carlo e Giulia si fossero piaciuti. 2. Vorrei che mi fossero piaciuti gli spaghetti, ma erano orribili. 1. I hoped that Carlo and Giulia had liked each other. 2. I wish I had liked the spaghetti, but they were horrible. Condizionale Presente: Present Conditional A regular presente condizionale. Io piacerei Io piacerei a Paolo se mi conoscesse meglio. Paolo would like me if he knew me better. Tu piaceresti Tu mi piaceresti se avessi gli occhi neri. I would like you if you had black eyes. Lui, lei, Lei piacerebbe 1. Paolo piacerebbe a Giulia se lo conoscesse meglio. 2. A Paolo piacerebbe leggere se avesse dei buoni libri. 3. Mi piacerebbe questa pasta se non fosse scotta. 1. Giulia would like Paolo if she knew him better. 2. Paolo would like to read if he had some good books. 3. I would like this pasta if it were not overcooked. Noi piaceremmo Noi italiani non piaceremmo a tutti se non fossimo cosà ¬ simpatici. We Italians would not be so liked if we were not so cool. Voi piacereste Voi piacereste ai miei se voi foste pià ¹ gentili. My parents would like you if you were nicer. Loro, Loro piacerebbero 1. Carlo e Giulia si piacerebbero se si conoscessero meglio. 2. Questi spaghetti mi piacerebbero se fossero meno salati. 1. Carlo and Giulia would like each other if they knew each other better. 2. I would like these spaghetti if they were not so salty. Condizionale Passato: Perfect Conditional An irregular condizionale passato. Made of the present conditional of the auxiliary and the participio passato. Io sarei piaciuto/a Io sarei piaciuta a Paolo se non fosse innamorato. Paolo would have liked me had he not been in love. Tu saresti piaciuto/a Tu mi saresti piaciuto se non fossi maleducato. I would have liked you had you not been rude. Lui, lei, Lei sarebbe piaciuto/a 1. Paolo sarebbe piaciuto a Giulia se lei non fosse cosà ¬ snob. 2. Mi sarebbe piaciuta la pasta se non fosse stata scotta. 1. Giulia would have liked Paolo were she not such a snob. 2. I would have liked the pasta had it not been overcooked. Noi saremmo piaciuti/e Noi italiani saremmo piaciuti se non fossimo stati cafoni. We Italians would have been liked had we not been jerks. Voi sareste piaciuti/e Voi sareste piaciuti ai miei se non vi foste comportati male. My parents would have liked you if you had not behaved poorly. Loro, Loro sarebbero piaciuti/e Carlo e Giulia si sarebbero piaciuti in un altro momento. Gli spaghetti mi sarebbero piaciuti se non fossero stati troppo salati. 1. Carlo and Giulia would have liked each other at another moment. 2. I would have liked the spaghetti had they not been so salty. Imperativo: Imperative Note the position of the pronouns in the imperativo. Tu piaci 1. Piaciti! 2. Piacigli, via! 1. Like yourself! 2. May he like you! Lui, Lei piaccia Si piaccia! Like yourself (formal)! Noi piacciamo Piacciamogli! May he like us! Voi piacete 1. Piacetele! 2. Piacetevi! 1. May you be liked by her! 2. Like yourselves! Loro piacciano Si piacciano! May they like each other! Infinito Presente Passato: Present Past Infinitive The infinitive piacere is widely used as a noun to mean pleasure. Piacere 1. Ho visto con grande piacere tua sorella. 2. Mangiare à ¨ un grande piacere. 3. Luca farebbe di tutto per piacere a Francesca. 1. I saw your sister, with great pleasure. 2. Eating is a great pleasure. 3. Luca would do anything to be liked by Francesca. Essere piaciuto L'essere piaciuto a Giovanna gli ha dato grande orgoglio. The fact that he was liked by Giovanna gave him great pride. Participio Presente Passato: Present Past Participle The participio presente, piacente, is used to mean likable, attractive. The participio passato of piacere does not have a purpose outside of its auxiliary function. piacente Abbiamo visto un uomo piacente. We saw a very pleasing/attractive man. piaciuto/a/e/i Ci à ¨ molto piaciuta la tua mostra. We liked your show very much. Gerundio Presente Passato: Present Past Gerund Remember the important uses of the gerundio. Note the position of the pronouns. Piacendo Piacendole molto il vestito, ha deciso di comprarlo. Liking the dress much, she decided to buy it. Essendo piaciuto/a/i/e Essendole piaciuta molto la città  , ha deciso di prolungare la sua visita. Having liked the city a lot, she decided to prolong her stay.

Interracial Marriage Laws History Timeline

Whispered 3rd Nonfiction Essay Samples Secrets

Whispered 3rd Nonfiction Essay Samples Secrets Any time that you are handling a complicated story with several elements, thinking of it as a braid might help you sort it out. Do not merely fill in the blanks by describing yourself or somebody you know. A story about the amount of utopia. Things You Should Know About 3rd Nonfiction Essay Samples Ideally, all newspaper articles should strive to provide the truth about events with no bias or opinions. Smithsonian Tribune is among our favorite. A fundamental section of an essay is responding to realitythat gets possible when you have anecdotes or stats from some other folks. You find the facts a bit more softly. Keep in mind, provided that you're able to back up what you say and convey your ideas effectively, adopting a distinctive strategy is easy approach to produce your submission stick out. These guidelines may be considered best practices, except in the event you violate them, you may find yourself in hot water with your readers. The Debate Over 3rd Nonfiction Essay Samples You may also contact us anytime for help. Also, it's very beneficial to create a graphic organizer for guidance. Just place your order to acquire an expert help anytime you require. Better still, transcribe a number of the original principal research in an evidence file. 3rd Nonfiction Essay Samples: No Longer a Mystery The most important idea can become your title too. The sole thing that is different is White himself. Write about a unique birthday. Not even a half of those ideas will occur in your essay, but it's better if you've got a selection to select from. It would be useful if it's something which you are most passionate about so you may write in great information. The very first sentence sets the tone for the whole piece. 3rd Nonfiction Essay Samples Help! Don't be worried about a few of them being rather abstract their primary purpose is to reveal to you the basic principles that you'll have the ability to transfer to your own writing. You can't begin working before you select your topic. Tackle unresolved emotional problems. Adhere to the essentials of simple learning. Ideas, Formulas and Shortcuts for 3rd Nonfiction Essay Samples You will need to realize that breaks are extremely vital in your working process. In addition, there are times when you really feel like you don't wish to write anything. Go on a walk around a place you understand well, perhaps it's your house, your neighborhood, or a particular pa rk or building. A biography is the actual account of a person's life. Within this section you will locate samples of essays belonging to several essay types and manners of formatting. A standard dilemma of CNF contains a minumum of one essay by a previously unpublished writer. Ask anyone who's into grammar great to look at your paper too. To continue to keep your writing smooth, ensure that your paragraphs transition well. The conclusion ought to be a construction made from the past couple of paragraphs. Previously published submissions aren't qualified for the contest. Three sentences is an excellent length for a bio. Use the following format to make your own character. The Hidden Gem of 3rd Nonfiction Essay Samples With its pleasant visual and videos, it's a fantastic beginning nonfiction reading for children. Personal essays must acquire personal. Reading non-fiction is extremely different from reading fiction books. It is possible to write about any subject you would like to explore, so long as it's within the term count and nonfiction. Below, locate a selection of exercises to help you begin writing original and imaginative true stories. Bear in mind, informative nonfiction gives factual info, and the two most frequent forms are interviews and articles. There are many sorts of nonfiction examples in the realm of literature. The 3rd Nonfiction Essay Samples Game Do not allow the fancy words fool you it's probable that you've already written one without even being aware of it! Maybe it is a funny or dramatic moment in your daily life. Essentially, it is a meditation on the ways each generation feels it is special. The use of the reconstructed conversation is to add more detail and offer insight. After the essay was assigned to a reader, changing files can cause plenty of confusion and can bring about our not giving your work our very best attention. Nobody wants a terrific story that's written with a great deal of mistakes that completely break the entire flow. You are going to receive a meaty subject and possibly a cathartic release.

Case Study of Disk4u

Question: Discuss about theCase Study of Disk4u. Answer: Introduction Economic globalization is depending on different type of factors related to the business. The objective of this report is to clarify the business process, requirements of business related to systems and related to the sources, vendor selection process of the business (Schwalbe, 2006). To describe the objectives of the business ERP model is used. Through this enterprise resource planning tool the business process will be described. ERP offers to describe the desired level of the business through the software. The software used for different type of business is customised with the software. It helps the business to cost less and make customer satisfied with the service of the business. ERP is a type of business management system which gives benefit of having seamless communication within real time (Harwood, 2003). With all these capabilities it can be said that ERP affects the performance of business. Disk4u want to expand their business in metropolis area of Sydney and in online busin ess also. ERP is implementing to improvise the techniques used for business, reduce the cyclic times, and improve the service for the customer and for reducing the cost. Fig 1- ERP plans [Source: www.dssolutionsit.com, 2016] Case Study of Disk4u Disk4u is based on Sydney; it sells vinyl, CDs and records. They owned a shop and it a family business. At present they are selling their products through their physical presence ion shop. Now they are thinking of expanding their business in the metropolitan city of Sydney and in online through ebay also. For expanding their business they need a proper software based system which will simplify their business. They need a fast and automatic business process system within their budget. Before making ERP system situation analysis is needed for the business. After ERP formation the decision will be taken they need the System software or they will manage the business without using the software. Analysing Situation for ERP At this point of time Disk4U is doing their business manually, they are offering their services of selling CDs and vinyl through their shop. They are facing problems relating to their data handling as those data are increasing and when they need the data from the past it took a big amount of time to find. This cause of data redundancy hamper their business, it may incurs loss in their business as if they forgot to inform the vendor at proper time for their order, or if any vendor can misplaced their document and can claim for the paid money. There should be times come which will be very crucial for manager of Disk4U to urgent see the file but as they are handling manually all things may it can took longer time for see the file or he may not get the file at the right time. From above seen issues it can be identify that an ERP system is very much needed for this business. This ERP will help them to identify and solve the problem. Problems are like data duplicating, time consuming. Ther e are three different dimension gives a better impact on IS the impacts are quality of systems, information and better decision (Dantes and Hasibuan, 2010). An effective information system will help a company to improve their security, availability and increase the flexibility of the company, decrease the complexity, service quality for better purpose ( Madapusi and Dsouza, 2012). It is expected that through ERP system Disk4U will get a healthy business system. Implementing of ERP in Disk4u ERP has the capability to integrate the several functions, process of the business for particular organisation and meet the goal for the comprehensive picture of organisation. It is a company belongs to Australia which is facing a severe problem in business and generating loss. Their competitors are absorbing the whole market as they are still not upgraded with the situation of new aged technology. They are trying to involve in the market with their competitors and want to secure their position in the present era. For this they need to re structure and construct a whole new system which will remake their outlook in their business. ERP will support them to make one unit wholly systemised business function. Then they have to update their whole data systematically as that will not make the organisations data hazardous. The flow of the business and the financial management, human resource, ware house, vendor, cost of the project these are the five stages which enterprise resource planning will consider. There are five steps of ERP have to follow: review of literature, project preparation, blue print of organisation, realisation, final submission and maintenance (Sankar 2010). Fig-2-steps of ERP [Source: abm-website-assets.s3.amazonaws.com, 2016] To prepare a project a complete planning phase is required, for that purpose need to form a group of project and have to assign the parts of the project as this will be help full for those who are going to make the ERP. There are different types of roles have to identify like leadership responsibility, planning for budget, objective of the project. At planning phase organisation need to evaluate the problems in detail and then try to provide appropriate solutions (Wei, 2007). After evaluating the issues related to the organisation objective it is the time of implementing the system for that organisation. Their budget for the ERP is only $150000, now it will became the primary objective to make the system after allocating the proper budget. Budget for ERP of Disk4u Items Total amount ($) consulting service project manager 4500 IT administration training 3500 Hardware 1500 Software 8500 ERP software ERP software package 15000 3rd party for application 55000 ERP change management 2000 Application development service Hiring programmer 8000 Reports 1500 Interfaces 3500 Software modification 3000 Education and training Maintenance 5000 ERP software maintenance 4000 Total amount 115000 At the time of implementation of the ERP model system includes the development of the interface, modification, data transfers, training. After the design is being processed before implementation there should be various level of testing. Testing will cover the hardware, software, ERP system. At th e final phase all the systems are included in a unit step and then form a single unit structure of ERP system. Barriers of Implementation of ERP The enterprise software includes the effective practice forms of the business sector. Implementing of the information system of such ERP is focused on information technology. Sequentially the successful information system has to be measured by the effectiveness of information technology to support the companies plan. Several layers are needed to implement the ERP system in the workplace of the organisation. More than sixty percent of software implementation package are not successfully done at first attempt (Dante and Hasibuan, 2010). So, from above context it can be said that there will be issues arising in the time of implantation of the software. There are issues related like Technical problems arise at the software and hardware related consideration of information system Business processing issues arise at the time of business operation and including personal, budgeting and general management issues are also there. Issues related to the organization environmental problem it is determined the factors which are a smaller amount tangible including changes, culture and behaviors Personal issues are those issues whish surrounding each person in the company Issues related to leadership happens to the area which involves the directly with the company executive Fig-3- Challenges of ERP [Source: image.slidesharecdn.com, 2016] Critical Analysis of Implementing ERP A strong communication with the company during the implementation phase helps the company to success for ERP implementation. There is different type of benefits are associated with the ERP systems like: customer data and information security, efficient cash management, enhancing financial information, ERP in the form of logistic strengths are the co ordination between companies, supplier and the clients. It is determined the critical success factors of implementation enterprise resource planning are the change management, business process re engineering, communication plan, project management, implementation, post implementation maintenance. Manager plays the crucial role in the implementation of the ERP system. Sometime lacking of knowing the proper process it becomes very difficult for developers to make a proper ERP solution for the organization. Conclusion Without knowing the proper way of the business process it is been identified that a developer cant make a good ERP system. As per the discussion it has been said that the use of an appropriate ERP system in the organization is not only, improve its functionality but also achieve better customers values and satisfaction. As per the discussion, it has been recommended that before implementing the ERP system, the company must consider the implementation of critical factors. Regarding, this the developer needs to implement effective security system in proposed ERP system. Reference abm-website-assets.s3.amazonaws.com. (2016). abm-website-assets.s3.amazonaws.com. [online] Available at: https://abm-website-assets.s3.amazonaws.com/impomag.com/s3fs-public/legacyimages/1110/26/E2.jpg [Accessed 28 Sep. 2016]. Dantes, G. and Hasibuan, Z. (2010). The Impact of Enterprise Resource Planning (ERP) System Implementation on Organization: Case Study ERP Implementation in Indonesia.IBIMABR, pp.1-10. Harwood, S. (2003).ERP. Oxford: Butterworth-Heinemann. image.slidesharecdn.com. (2016). image.slidesharecdn.com. [online] Available at: https://image.slidesharecdn.com/webinarfeb192014-effectiveaccesscontrolsr2-140220155924-phpapp02/95/fulcrumway-implement-effective-access-controls-within-your-oracle-erp-system-7-638.jpg?cb=1395150944 [Accessed 28 Sep. 2016]. Madapusi, A. and D'Souza, D. (2012). The influence of ERP system implementation on the operational performance of an organization.International Journal of Information Management, 32(1), pp.24-34. Sankar, C. (2010). Factors that Improve ERP Implementation Strategies in an Organization.International Journal of Enterprise Information Systems, 6(2), pp.15-34. Schwalbe, K. (2006).Information technology project management. Boston, Mass.: Thomson Course Technology. Wei, C. (2007). Evaluating the performance of an ERP system based on the knowledge of ERP implementation objectives.The International Journal of Advanced Manufacturing Technology, 39(1-2), pp.168-181. www.dssolutionsit.com. (2016). www.dssolutionsit.com. [online] Available at: https://www.dssolutionsit.com/Images/Solutions/ERP.jpg [Accessed 28 Sep. 2016].

Their Eyes Where Whatching God Essay Research free essay sample

Their Eyess Where Whatching God Essay, Research Paper Their Eyess Were Watching God # 8211 ; Finding the Woman in Janie Peoples grow and develop at different rates. The factors that to a great extent act upon a individual # 8217 ; s development seem like heredity and environment. Geneticss can play a cardinal function in what sort of individual one becomes. Environment seems like the factor that most frequently and influentially affects a individual # 8217 ; s development. The people one meets and the experiences one has seem really of import in what makes a individual who he or she is. Janie develops as a adult female with the three matrimonies she has. In each matrimony she learns valuable lessons, has increasingly better relationships, and realizes how a individual is to populate his or her life. In Their Eyess Were Watching God, by Zora Neale Hurston, Janie # 8217 ; s matrimonies to Logan Killicks, Jody Starks, and Tea Cake seem like the most important elements in her development as a adult female. We will write a custom essay sample on Their Eyes Where Whatching God Essay Research or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Throughout the narrative Hurston uses different work forces to portray the continuum that work forces fall into in their society. Janie # 8217 ; s matrimony to Logan Killicks seems like the first phase in her development as a adult female. She hopes that her forced matrimony with Logan would stop her solitariness and desire for love. Right from the beginning, the solitariness in the matrimony shows up when Janie sees that his house feels like a # 8220 ; only topographic point like a stump in the center of the forests where cipher had of all time been # 8221 ; ( Hurston 20 ) . This description of Logan # 8217 ; s house seems symbolic of the relationship they have. Janie finally admits to Nanny that she still does non love Logan and can non happen anything to love about him. # 8220 ; She knew now that matrimony did non do love. Janie # 8217 ; s first dream was dead, so she became a adult female # 8221 ; ( Hurston 24 ) . Janie # 8217 ; s supplication seems like her concluding su pplication for a alteration in her life. She says, # 8220 ; Lawd, you know mah bosom. Ah done de best Ah could make. De remainder is left to you # 8221 ; ( Hurston 23 ) . Janie # 8217 ; s prayer gets answered with her following hubby, Jody Starks. He seems like the adult male who fills the nothingnesss of solitariness and love, and continues her development as a adult female. When they foremost run into, Jody bestows regards on Janie, converting her of her particular qualities. For two hebdomads, before they married, they talked and Janie believed that Jody # 8220 ; spoke for alteration and opportunity # 8221 ; ( Hurston 28 ) . The job Janie found with Jody dealt with him non handling her as an equal. He would non allow her talk in forepart of people, learn her to play draughtss, or take part in other events. Like Janie, Hurston # 8217 ; s voice seems dismissed- as non acrimonious plenty, non picturing the rough side of black southern life. Janie notices the job early in the relationship and confronts Jody about it when she says â€Å"it jus’ looks lak it keeps us in some manner we ain’t natural wid one ‘nother. You’se ever off talkin’ and fixin’ things, and Ah feels lak Ah’m jus’ markin clip. Hope it shortly gits over† ( Hurston 43 ) . Janie realizes that she can non be unfastened with Jody and that he does non look like the same adult male she ran away with to get married. Jody has many of his ain involvements, and none of them are concerned with Janie. â€Å"She found out that she had a host of ideas she had neer expressed to him †¦ She was salvaging up feelings for some adult male that she had neer seen† ( Hurston 68 ) . Jody merely gave material goods to Janie. His deficiency of love and his mistakes make her realize the following adult male she meets seems perfect for her. Her development as a adult female feels complete after life and larning with Vergible â€Å"Tea Cake† Woods. Tea Cake seems like the accelerator for the concluding phase of development of Janie as a adult female. From Tea Cake, Janie learns to love and what it feels like to be loved. Through Janie, Hurston gives an illustration of a adult females in society who follows her dreams and takes control of her psyche. Tea Cake non merely makes Janie experience particular with his words, but proves it as good by taking her fishing, runing, to the films, dancing, gardening with her, and other # 8220 ; marks of ownership # 8221 ; ( Hurston 105 ) . For a piece, Janie and Tea Cake worked the Fieldss together. For the first clip in her life, Janie seems to bask life. She says # 8220 ; # 8230 ; we ain # 8217 ; t got nothin # 8217 ; tuh make but make our work and come place and love # 8221 ; ( Hurston 127 ) . Finally Tea Cake dies and Janie goes back to Eatonville. From her matrimony with Tea Cake, Janie experiences love. This seems like something she believes really few people have experienced. J anie # 8217 ; s matrimony with Tea Cake finishes her development as a adult female. Janie clearly progresses in her development as a adult female through the three matrimonies she had. Logan Killicks formed her starting topographic point. From him, she learns that she didn # 8217 ; Ts have love. Joe Starks gives her what she thought seemed like love. It appears merely as a show to win her over, which finally gives manner to his subterranean motivations of edifice himself a name. His decease gives Janie a new opportunity. Tea Cake receives the privilege of being the following to get married Janie. He teaches her what love feels like. Although Janie formed as a adult female when her first dream got broken, she completes her growing as a individual when she learns about love. Zora Neale Hurston died in 1960, but her plants have increased in popularity and seem to exceed the trial of clip with remaining power.

Emoji

Emoji Emoji Emoji By Maeve Maddox Ancient Egyptians had hieroglyphics. Modern Man has emojis. Since the 1980s, symbols to express emotions have proliferated in cyberspace. At first they were made with what was available on the keyboard, like the smiley face made with a colon, a hyphen, and a parenthesis. Now, thanks to Unicode, they appear as true pictures: faces, hands, heads, cupcakes, robots, even a swirly pile of brown poop with eyes and a smile. These symbols acquired a name in 1990: emoticon, a portmanteau word made by combining emotion and icon. In 1997 or so, the Japanese word for pictograph- emoji- went international as a term for emoticons produced with Unicode. Note: The similarity of emoji to emoticon is coincidental. The Japanese word was coined in 1928, perhaps on the model of English pictograph: Japanese e = picture; moji = letter or character. So far, more than 700 emojis are available, with more on the way. Vyvyan Evans, a professor of linguistics at Bangor University (Wales), refers to the use of emojis as a language called Emoji: Emoji is the fastest growing form of language ever based on its incredible adoption rate and speed of evolution. As a visual language emoji has already eclipsed hieroglyphics, its ancient Egyptian precursor, which took centuries to develop. According to a Table Talk Mobile survey of 2,000 Britons, ages 18-65, â€Å"more than eight in 10 Brits are now using emoji to communicate regularly.† Users in the 18 to 25-year-old age bracket said they found it easier to put their feelings across in emoji icons than in text. Of the over forties, 54% said they were confused by what the symbols meant. Professor Evans doesn’t think that pictorial language will replace the kind that depends on words, but he does expect it to augment written language, making it â€Å"more appealing to younger readers†: I think it’s conceivable that emoji will increasingly be used to complement digital versions of written works. For instance, the inclusion of emoji to help convey meaning in abridged versions of Shakespeare could help bring those great stories to life for a whole new generation. Although I think that emojis are fun to use, I’m glad that I learned to understand and appreciate Shakespeare without the aid of picture writing. My high school generation not only read the plays as they were written, we memorized whole swathes of words from Julius Caesar (9th grade), As You Like It (10th grade), Romeo and Juliet (11th grade), and Macbeth (12th grade). I suppose this description from Macbeth could be rendered in Emoji, but I doubt the drawings of a bird and some trees would send goose bumps down my arms all these years later: Light thickens, and the crow Makes wing to th rooky wood. Good things of day begin to droop and drowse; Whiles nights black agents to their preys do rouse. But, different times, different customs. BBC’s Newsbeat, a site aimed at a young audience, features a weekly news quiz written in emoji. Tennis player Andy Murray tweeted about his wedding in emoji. Note: There is disagreement as to the plural of emoji. Some speakers prefer to use the same form for both: one emoji/two emoji. Others think that emoji should follow the English rule and add s to form the plural: one emoji/two emojis. The AP Stylebook has ruled in favor of emojis. Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Vocabulary category, check our popular posts, or choose a related post below:"Because Of" and "Due To" Hyper and HypoEbook, eBook, ebook or e-book?

Fair trade has more benefits for suppliers than free trade. To what Essay

Fair trade has more benefits for suppliers than free trade. To what extent do you agree with this statement - Essay Example The supporters of fair trade are of the opinion that the various problems related to the imbalances in the society and the environmental problems arise as a result of free market trade. This essay tries to analyse the phenomenon of fair trade from the point of view of the suppliers. The various economic theories have been explored in this context. Before proceeding with any elaboration of the various nuances of fair trade, it is essential o define the various aspects of fair trade. Fair trade is a movement which is aimed at promoting the labour standards as well as the environmental standards. It also includes setting a definite standard for the policy objectives which are aimed at the improvement of the societal welfare. Fair Trade is to be distinguished from free trade since free trade is that which depends on the market forces of demand and supply solely and would mean the removal of the different types of qualitative and quantitative barriers like tariffs and quotas. On the other hand Fair Trade would involve the promotion of the trade in the developing economies or the sectors which otherwise may not be able to compete with the international competitors. Exports being the focus of it from developing to developed countries. FINE proposed the most crafted definition of free trade in the year 2001. The fair Trade labelled p roducts must be in line with the standards practised by the Fair Trade Organizations. The FLO or the Fair Trade labelling Organizations International is the responsible authority for regulating the certification standards as well as labelling of the products and stipulate the minimum criteria for each product to be labelled and sold as fair Trade (Mohan, 2010, pp. 17-24). A number of criteria are present that distinguish the fair trade products from that of the other products in the market. First of all the producers are paid a minimum price by the traders. This ensures

Films Essay Example | Topics and Well Written Essays - 250 words - 3

Films - Essay Example a result, some people who experienced only the earliest days of independent film, such as grandparents, have a view that these productions run hand-in-hand with grainy film images, bad sound, and convoluted storylines and production values. However, these misconceptions do not encapsulate the reality of modern independent film. Though financial interests do have an impact on the final product, it is the unwillingness to conform to traditional plot forms, a sense of aesthetic and artistic freedom, and a willingness to step outside of established film-making strategies and methods that truly characterizes the best films within the genre. Engaging in independent film means more than the product of willingness to work on a limited budget. It requires a brave, artistic soul and focused attention and dedication to creativity and innovation. How often would you consider the decision of a playwright to enter independent film rather than utilizing a large studio a result of artistic integrity versus an all-encompassing need to control the film produced? Or alternatively, at what point would it be better to compromise in terms of content or delivery in return for budgetary enhancement rather than attempt to create the film according to the writer’s vision

Evaluation of the Tourist View on Museum

Evaluation of the Tourist View on Museum Critical Evaluation from the visitor/tourist point of view. The NMI: Arts and History Collins Barracks This discursive essay is based on a field trip under took by myself as part of the Heritage Studies Year 3 class at GMIT. This field trip consisted of travelling to Dublin to visit two of Irelands museum attractions the Chester Beatty Library and the National Museum of Ireland: Decorative Arts and History Museum at Collins Barracks. The Decorative Arts and History Museum is the museum that I chose to write the essay on. The essay is intended to be a critical evaluation of the heritage product provided at this museum and also assess its performance at doing this task. The essay shall also examine a number of issues for this museum like best international practice for museums of this type, its Management Philosophy and analyse the visitor experience offered at this site. The essay will begin by looking briefly at some of the heritage of the building and the site that is Collins Barracks, the former barracks that now houses the Decorative Arts and History museum. Collins Barracks itself presents its own unique history and heritage. Collins Barracks is one of the oldest inhabited barracks in Europe and was once one of the largest. It was built originally as an Army barracks for the British armed forces and it was called The Royal Barracks. The building was erected in 1702 and designed by architect Col. Thomas Burgh (1670 1730) in an early Neo-classical style. The building itself appears to be well maintained by the OPW and it is in a good state of repair. A visitor here cannot ignore the magnificence of this structure and the surrounding site and they will hopefully experience the years of history that this place offers. The central square at Collins Barracks, which at one time would have held six entire regiments, is surrounded by arcaded colonnades and blocks linked by walking bridges. In 1922 the barracks was taken over by the Irish Free State and later renamed Collins Barracks after the former leader of the first Irish Provincial Governme nt Michael Collins. In 1988 it was decided to close the barracks and in 1997 it was opened as part of the National Museum of Ireland, specialising in Decorative Arts History exhibits. The original structure was redeveloped to house this museum and in keeping with its previous military history it houses, in addition to its Decorative Arts History exhibits, galleries dedicated to Irelands military history. Nature of the heritage product available at Collins Barracks. Our visit to the Decorative Arts and History museum was much too short. Due to the extensive nature of the building and the time constraints we were under, it was difficult to spend enough time examining all the exhibits that were on display. There are nearly 30 different exhibition galleries spread between four floors and a building beside Collins Barracks houses the Asgard and its exhibition. The many different displays within the galleries ranged from fine examples of silver, ceramics, glassware, furniture, clothing, jewellery, folklife, coins, metals and weaponry. This museum endeavours to offer an overview of Irelands social, economic and military history over the last millennium. I began my visit to the museum by viewing the Asgard and its exhibition. It is a great achievement to have had this iconic yacht restored to its former glory. As one walks around the Asgard one is forced to reflect on those who would have sailed her and the part she and her navigators played in Irelands history. As well as informative information boards on the Asgard and Irelands struggle for Home Rule, there are also a number of interesting artefacts from this period including a number of the Mauser rifles that were part of the 1914 Howth gunrunning. It is quite fitting to have these rifles here as they complement the story of the Asgard. Unfortunately there are no audiovisual displays here and the information blurbs are only written in Irish and English. From the Asgrad exhibition it is a short walk across a paved path to the well signposted reception area of the museum. Here a visitor can pick up a museum floor plan, which is in a number of languages, and this gives a brief description of the different exhibition galleries on the four floors while also showing the services available within the museum. The receptionist here was pleasant and helpful. he military section it is well documented and some of the displays are artistically presented. The history linking the Irish to the wars in Europe, and the rest of the World like the Boar War and US Civil War is very intriguing. The displays and information boards here are easy to follow for even the casual visitor. A downside is the placingto this excellent condition was that information boards and present in the narrow corridors. as was that dealing specifically with Irelands struggle for Home Rule and Independence. The various clothes, weapons of war and even the poor soldier eating his dry bread while on patrol in the hills add to this bringing alive of the past and of course the somewhat startling skeleton of Dickie Bird, a horse that fought in the Crimean War in 1854 with the 5th Dragoon Guards. One doesnt expect to be faced with a standing live skeleton from 1854 whose bones were found by archaeologists in 2008 at Clancy Barracks in Dublin. The Understanding 1916 exhibition, which chronicles Irelands 1916 Easter Rising, is helpful in trying to understand the background to the 1916   Rising. It is clearly presented but perhaps some audio/visual presentation would reduce the tedium of standing and reading all the details. Visceral memorabilia, such as first-hand accounts of the violence of the Black Tans and post-Rising hunger strikes, the handwritten death certificates of the republican prisoners and their postcards from Holloway prison, bring to life this poignant period of Irish history. On the ground floor is a chain of thematically interconnected galleries, Soldiers and Chiefs, devoted to almost five hundred years of Irish military history. Apart from an array of helmets and weaponry, theres the impressive Stokes tapestry which was created by a British soldier who devoted his spare time to the depiction of contemporary garrison life. Disappointingly the interactive panel that went into detail about the tapestry was blurred and not working. Other exhibits trace the Irish involvement in the US Civil War and one of personal fascination was the information board that listed all the names of the Irish that fought and died with General Custer at the Battle of Little Bighorn in 1876. World War I with later examples of tanks and a de Havilland Vampire fighter plane while, contrastingly, theres the 200-year-old Bantry Boat, captured from the French frigate La Rà ©solue during the abortive invasion of 1796. Decorative arts is a tough thing to get right, especially if you want to offer a broad appeal, but the well-designed displays, interactive multimedia and a dizzying array of disparate artefacts make for an interesting and valiant effort. On the 1st floor is the museums Irish silver collection, one of the largest collections of silver in the world; on the 2nd floor youll find Irish period furniture and scientific instruments, while the 3rd floor has simple and sturdy Irish country furniture. Modern-furniture-and-design lovers will enjoy the exhibition on iconic Irish designer Eileen Gray (1878-1976), one of the museums highlights. One of the most influential designers of the 20th century, Grays life and work are documented in the exhibit, which shows examples of her most famous pieces. The fascinating Way We Wore exhibit displays Irish clothing and jewellery from the past 250 years. An intriguing socio-cultural study, it highlights the symbolism jewellery and clothing had in bestowing messages of mourning, love and identity. Some of the best pieces are gathered in the Curators Choice exhibition, which is a collection of 25 objects hand-picked by different curators, and displayed alongside an account of why they were chosen. The various exhibition galleries are absolutely amazing. There is a very rich collection in each of the categories. One could easily spend a whole morning on any one of them. Coming from one of these, Harry Clarkes The Unhappy Judas provided a startling contrast. The majority of exhibits have clearly written explanations, written in both English and Irish, but some are difficult to read due to the surrounding low light. Unfortunately there did not appear to be any translated into other languages which must make it difficult for some foreign non-English-speaking visitors to understand. It would have been more helpful had they had audio explanations, particularly for those who are visually impaired. I found this most interesting but for the person who wants to linger, browse and read the numerous pieces, it would have been helpful to have sitting down benches, as in the foyer. Speaking to a member of staff afterwards, he explained that the exhibition areas are narrow so that when there are large groups, benches could be an unsafe obstruction. Best international practice for institutions of this type: Edinburgh Museum NMS. Edinburgh is an amalgamation of Royal Scottish Museum and the National Museum of antiquities. It has exhibitions of various types which are similar to Collins Barracks.: see www.nms.ac.uk/national-museum -of-scotland. Collins Barracks website gives very informative overview of its exhibits, so that a visit can be planned in advance. This is also true of Edinburgh Museum. Management Philosophy Refer to Mission Statement on the website Quoting from website..Our philosophy is to uphold the values of : Authenticity: Working in partnership with staff. Excellence in all our activities. Investing in people. In achieving this philosophy, it is dependent on ongoing commitment of all stakeholders, including, in particular, staff of the museum, Dept. of Arts, Sports Tourism, and the O.P.W. if Phase 2 of the development of Collins Barracks is to be completed. The development of the Central storage area requires a lot of money and commitment. Cf. Strategic Plan.   Cf statement of chairman J. OMahony July 2008. Heritage Product, Visitor Facilities and Marketing. Visitor facilities: Restaurant, good and reasonable in price. Toilets, clean and bright. Shop, ok. There is a need for more seating in all areas, to make it a more relaxing as well as an educational   experience. There is a need to be more aware of people with specific needs, eg. Website said thatthere were objects that could be touched, for visually impaired people. On enquiring, the staff member did not know anything about this. As previously mentioned, the need for audio aids for visually impaired people. Marketing: Collins Barracks is a wonderful place with so much to see, but I have passed it so many times in the Luas as well as walking past but never knew that there were so many treasures there. Is this due to poor marketing? Visitor experience: Cf. Trip Advisor, Facebook Twitter Great museum, so many interesting exhibitions. Asgard, great. I would be very happy to go there again. Entrance from Luas stop, with all the ascending steps could be a problem for older people. There is a need for clearer marking of alternative entrance via car park. Heritage product: My favourite was the Eileen Gray furniture exhibition but I would have been happy spending more time on any of the other exhibitions, had time permitted. I intend going there soon again. Visitor profile; Speaking to a staff member, he told me that during the summer they have many foreign visitors and visitors with Irish ancestry. They see people of all age groups. Approx.. 60,000 a month during the summer holiday months. In October 2013, they had 20,164 visitors. They get many families when they have special events on. It is also popular for school groups. There are often book launches etc held at the museum. Listen to interview with Pat Wallace on Marian Finucane on RTE radio 1 on Sunday November 2nd. Well worth listening to, on the lack of funding to the museums. Overall impression? The site is being well run and cared for with helpful friendly staff on every level. The cafà © could be improved on. Fewer and better meals on offer and better ventilation in the kitchen to prevent the pervasive smell of cooking oil wafting through to the dining area. The shop offered a wide range of souvenirs and goods produced in Ireland. Service was again friendly and helpful. As an observer the visitor profile varied from school groups, to guests from the U.S. Africa and China to one day city trippers. A place well worth a return visit and one to watch for exhibitions, events as shown on their website. West of Smithfield on Benburb Street is the National Museums Decorative Arts Collection,. Unquestionably, the best of these is Curators Choice, on the first floor of the west block, which is selected by museum curators from all over Ireland. Among its draws are a medieval oak carving of St Molaise; the extravagant cabinet presented by Oliver Cromwell to his daughter Bridget in 1652; and the remarkable fourteenth-century Chinese porcelain Fonthill Vase. The Out of Storage section is another highlight, bringing together everything from decorative glassware to a seventeenth-century suit of Samurai armour, while others focus on Celtic art, coinage, silverware, period furniture, costumes and scientific instruments, and there are usually plenty of temporary exhibits. Read more: http://www.roughguides.com/destinations/europe/ireland/dublin/collins-barracks/#ixzz3KJp4qIAX All of these displayed with imagination in innovative and contemporary galleries, which entice you to go further, look harder and examine more closely. In the Curators Choice exhibition there is amongst other treasures, an ancient Japanese ceremonial bell, which dates back over 2000 years. Explore the histories of soldiers and their families in Soldiers Chiefs: The Irish at War at Home and Abroad since 1550. Examine the decade of disturbance between 1913 and 1923, from the Dublin Lockout, through the Easter Rising to the end of the Civil War in The Easter Rising: Understanding 1916. Included are artefacts such as Etruscan vases, gauntlets worn by King William at Battle of the Boyne, a life belt and oar salvaged from the wreck of the RMS Lusitania and a pocket book carried by Wolfe Tone whilst imprisoned in the Barracks. Read more: http://www.lonelyplanet.com/ireland/dublin/sights/museums-galleries/national-museum-ireland-decorative-arts-history#ixzz3KJfM23cI Museums and galleries are vital to the educational and cultural health of society. This, however, is not always either seen or understood, and as long as this is the case, the continued existence of museums will be tenuous. Lang, Caroline, Reeve, John, and Woollard, Vicky, eds. Responsive Museum : Working with Audiences in the Twenty-First Century. Abingdon, Oxon, GBR: Ashgate Publishing Ltd, 2006. ProQuest ebrary. Web. 24 November 2014.